Tuesday, January 20, 2009

01-20-09 The rebirth of hope


"Now, there are some who question the scale of our ambitions — who suggest that our system cannot tolerate too many big plans. Their memories are short. For they have forgotten what this country has already done; what free men and women can achieve when imagination is joined to common purpose, and necessity to courage.

What the cynics fail to understand is that the ground has shifted beneath them — that the stale political arguments that have consumed us for so long no longer apply. The question we ask today is not whether our government is too big or too small, but whether it works — whether it helps families find jobs at a decent wage, care they can afford, a retirement that is dignified. Where the answer is yes, we intend to move forward. Where the answer is no, programs will end. Those of us who manage the public's dollars will be held to account — to spend wisely, reform bad habits, and do our business in the light of day — because only then can we restore the vital trust between a people and their government"


Entire text of Obama's inaugural speech here.

Labels:

Saturday, January 19, 2008

Memory Jugs

I dabble in several forms of art and crafts rather than specialize in one.
I am always trying to learn new techniques, new styles, new mediums.
But what I am drawn to in all forms, is memory crafts.

I appreciate art that incorporates photographs, or trinkets, or clothing from a loved one.
When art celebrates the life of another, or one's past, or illustrates a recollection...that to me holds more meaning than something more esoteric.

My love of both memory crafts and folk art explains why I adore memory jugs.
Too, there's a whimsical quality that just makes me smile.
Memory Jugs
(click on image to enlarge)
From the book, By Hand: 25 Beautiful Objects to Make in the American Folk Art Tradition, 2001

Folk Art is defined as everyday household items that were decorated by common folk who were untrained in art.
Memory jugs were popular in Victorian times.
Some people believe the craft was not only a hobby for women, but originated from African mourning vessels--a ritual slaves brought with them to the United States. History here.

The jugs were ceramicware first covered in some sort of putty, then completely embedded in mementos--buttons, charms, trinkets, shards of china, seashells, pieces of jewelry, and all forms of personal paraphernalia.
These were memory-laden mosaics...three dimensional scrapbooks.
Memory Jug
The jugs were not always painted one color like the examples I have pictured here.

This jug is "built on a molasses jug, it is covered with an extraordinary assemblage including old buttons, an onyx mourning cross, shells, marbles, keys, a belt buckle, broach, stones, English coins, bottles, ceramic people, metallic objects,screws, chains, jewelry, a wishbone, and more. It is topped with a glass finial. It has a pencil eraser holder with a date of 1886 on it. The three coins are all Victorian."
It is pictured on this antiques site.

In essence, these are time capsules.
"In a time when more and more of our everyday objects are mass produced, these very personal pieces hold great intrigue: they might have been intended as memorials or grave markers, or as a way of honoring family or friend, but whatever the purpose, these fascinating pieces link past to present as poignant narratives. Each of these vessels is encrusted with favorite bits that are too interesting to throw away but are too personal to reveal their meaning. What tale can be told by a vessel encrusted with a pipe, a toy deer, miniature china dishes, a glass doll, beads, walnuts, and upholstery tacks? Did it honor the memory of a dead relative, celebrate the living, or simply make use of attractive found objects? Could it be that making memory ware was a common handicraft of the day, with no sentiments attached?"
(source)

Today, of course, present day jugs are also considered a form of recycling.
But I like the more personal approach--to make a work of art that also creates a memory, a way to salvage bits of your childhood that would have been tossed aside.
I have a frame, for example, that I covered in trinkets from childhood.
I'll have to find it in storage and post it later.
But I always thought that would be a fun way to commemorate a year in the life of your child, and see how the trinkets changed every year.
You know, the McDonalds characters in the Happy Meals, the tokens from Chuck E Cheese, or the jewelry from Disneyland.
I think it's a craft worth knowing about and trying--worthwhile in so many ways.

Labels: , ,

Saturday, September 22, 2007

More cake charms

Remember when I posted recently about the Fortune Telling Cake Set?

Well, Amy had a great idea that I should frame it.
I thought it might be fun to surround it with even more charms, so I bought another set.

This set is from Canada, and does not include the fortunes or symbolism.
But look how fun!
Fortune Telling Cake Set

charms 2
(click on image to enlarge)

charms 3 (canadian)
(note the Canadian charms)

Labels: ,

Sunday, September 09, 2007

Fortune Telling Cake Set, 1957

Fortune telling cake set, 1957
(as always, you can click on the image to go to my Flickr page. "All sizes" over the image will allow you to zoom and read the details)

These are charms that were baked into a cake, then the recipient would discover his or her prediction of luck for the coming year.

This idea of finding fortune in a slice of cake is still a feature in many traditions around the world.
During Mardi Gras, for example, The King's Cake includes a bean (representing the baby Jesus). Whoever is fortunate enough to receive the slice with the bean (or coin, or plastic Jesus, etc) is said to have good luck for the rest of the year.

The Victorians added ribbons to the ends of the charms.
The ribbons extended outside the cake slices, and the charms were pulled out (they are called cake pulls).
You can buy modern examples of these charms, usually for wedding cakes.

Labels: ,

Monday, July 23, 2007

History in an envelope

I purchased this Kaumagraph embroidery pattern with designs for trapunto,
Vintage Kaumagraph Trapunto Pattern, 1945

but the real jewel is what was inside the envelope.
There was an old letter from the USO, dated 1945 (the date of the transfers also)
USO letter
I don't know anything about the scrapbooks referred to here--do you know what those were?

But also inside was a drawing of how the lady who owned this pattern was going to use it to decorate a dress:
designs ideas

This fascinates me.
Did she ever complete her big plans, or did this join the pile of unfinished projects?
It's doubtful she completed the dress, because most of these transfers are unused.
Who was she?
Just a few lines on a piece of paper can invite so many questions.

Labels: ,